HADAS AUERBACH
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Pussi and song bird, 2024, 183 × 153 mm, oil on canvas
Raven, 2024, 90 × 100 mm, pencil on canvas
Komodo Monitor, 2024, 90 × 100 mm, pencil on canvas
Ell, 2024, 90 × 100 mm, pencil on canvas
Orca, 2024, 90 × 100 mm, pencil on canvas
Aligator, 2024, 90 × 100 mm, pencil on canvas
JNJ (Johnson & Johnson), 2023, 100 × 90 mm, oil on canvas
PFE (Pfizer), 2023, 100 × 90 mm, oil on canvas
TSLA (Tesla), 2022, 56 × 76 mm, watercolor on paper
Knive, 2021, 160 × 20 × 60 mm, ceramic
Installation shot, 2021
The most beautiful morning, 2021, 81 × 61 mm, watercolour on paper, glow in the dark snowflakes and resin
The most beautiful evening, 2021, 81 × 61 mm, watercolour on paper, glow in the dark snowflakes and resin
Pilar, 2020, 56 × 228 mm, watercolour on paper
Baby’s breath one, 2020, 27 × 21 mm, watercolor on paper in resin with dry flowers
Rotten fruit, 2020, 76 × 56 mm, watercolour on paper
With pigeon, 2020, 76 × 56 mm, watercolour on paper
Lady bird, 2020, 76 × 56 mm, watercolour on paper
| Year | Institution | Location | Degree |
|---|---|---|---|
| 2019 | Städelschule | Frankfurt a. M. (DE) | - |
| 2014 | Royal College of Art | London (UK) | MA Printmaking |
| 2012 | Slade School of Art | London (UK) | BFA Painting |
| Year | Title | Venue, Location | Details |
|---|---|---|---|
| 2023 | Picnic | No Show Space, London (UK) | Reading event hosted by Elisabeth Molin |
| 2022 | Pyramid Scheme – Passive Income | Pyramid Center for Contemporary Art, Haifa (IL) | - |
| 2022 | Figure of Speech | Ben-Gurion University of the Negev, Beer Sheva (IL) | - |
| 2021 | Komisch Wetter 2 | Kunstverein Schattendorf, Schattendorf (AUS) | - |
| 2021 | The Fountain Show II | Sundy, London (UK) | - |
| 2021 | Skimpy by Spirit (Solo) | Cornucopia, London (UK) | - |
| 2021 | La Psychologie des Serrures | Curated by Sans Titre and the CAN, Neuchâtel (CH) | - |
| 2021 | Offerings (I) | Cornucopia, London (UK) | - |
| 2020 | Breeze de la Breeze | Zona Mista, London (UK) | - |
| 2020 | No Time Like the Present | Public Gallery, London (UK) | - |
| 2020 | A Land of Incomparable Beauty | Collective Ending HQ, London (UK) | - |
| 2019 | Absinthe §3 | Spit & Sawdust, London (UK) | - |
| 2019 | Crying Horses | Husslehof, Frankfurt a. M. (DE) | - |
| 2019 | In Actu. In Potentia | Friedrich, Frankfurt a. M. (DE) | - |
| 2018 | Slap Dash for No Cash | Newington Library, London (UK) | - |
| 2018 | The Skin of the Eye | Vermilion Sands, Copenhagen (DK) | - |
| 2017 | Let’s See, Where Were We? In the Pit of Despair | De Ateliers, Amsterdam (NL) | - |
| 2017 | Alle Anderswos Welt | Kornhäuschen, Aschaffenburg (DE) | - |
| 2017 | ...We Need to Talk... | Lewisham Arthouse, London (UK) | - |
| 2017 | All the Elsewheres of the World | Zona Mista, London (UK) | - |
| 2017 | Yes Please | Peckham Old Theater, London (UK) | - |
| 2016 | Masters of Contemporary Art in China and Britain | Shanghai Yun Contemporary Art Center, Shanghai (CN) | - |
| 2015 | Living Room in the Tropic | NTU--CCA, Singapore (SG) | - |
| Year | Title | Details | - |
|---|---|---|---|
| 2021 | Arts of the Working Class | Issue 14 | - |
| 2020 | The Printer Fault Press Radio Show | Town Radio X Frankfurt | - |
| 2017 | Da Thirst | Issue 6 | - |
| 2014 | Thinking Through Print | Perspectives From The Studio | - |
| 2013 | Illustration In Kol Dodim | By Zali Gurevitch | - |
| 2013 | Shatnez 2 | Mixed Fanzine | - |
| 2013 | Denkmaschienen/Thought Machines | Publication | - |
| Year | Type | Title, Institution | Venue, Location |
|---|---|---|---|
| 2020 | Residency | CCA Andratx | Mallorca (ES) |
| 2019 | Prize | Landwirtschaftliche Rentenbank Prize | Städelschule, Frankfurt a. M. (DE) |
| Type | Details | - | - |
|---|---|---|---|
| hadas.auerbach88@gmail.com | - | - | |
| @h_a_8_8 | - | - |
| Role | Contributor | - | - |
|---|---|---|---|
| Graphic design & development | Ashley Kinnard Studio | - | - |